SW Oklahoma musicians spread their wings, reach | Photo galleries


This week’s column features two originals from southwest Oklahoma who leave their music behind as emerging artists.

The first story takes us to Music City, USA

The path will never be easy for a musician. Since he was on the highways and byways to Nashville, Tennessee last year, Brett Landry knows that all too well.

It takes passion and dedication to what is there when everything else is in the ether: rock and roll. Landry has a rock and roll heart. He said it was the beat that kept propelling him on his mission to make it.

Landry, known for too long as “Wrong Turn”, has built a reputation for living up to the nickname “Shred”. But, man, it was tough, he said.

Landry lived mostly in his car and said he blocked attempts to rob him and his gear in random Cracker Barrel parking lots more times than he wants to count. As a musician, you sometimes surround yourself with others who are stealing your energy and money.

Now Landry seeks shelter in a tent – “I’m sick of my car” – said Landry that the nomadic life of a musician on a mission takes its toll. It makes you a little colder, he said, and rougher around the edges than you want. Calluses are caused by hardening.

“But I still live and burn,” he said, “not only for me, but also for my home country.”

Landry said he encountered some “seedy promoters” who refuse to place his band. The night shifts, into the performance rotation in the competitive Music City scene. He claimed this happened after catching it in the act. It has almost resulted in you being blacklisted.

“I caught them paying only a band or two on a show and then telling the other bands that they only play for tips after some bands came to see the show,” he said.

But a love of guitar playing and a desire to succeed ignite the fire, Landry said. He doesn’t deny being a little “stubborn” but said that if you have a purpose in life, you follow it to the end.

There is a potential payoff for persistence. said Landry.

“We’re headlining a show from August 6th to 9:30 pm in Bowies Nashville,” he said.

The Night Shifts are headlining with Kay Azna and Evolved.

“This is going to be a killer show,” Landry said. “A little bird in the tree told me that every A&R representative in town will be there for this one.”

Landry said it was old fashioned to support your music community and networking, which helped secure the coveted spot on that bill. It can mean anything.

“By going to real shows, showing support and making real friends with Michelle Terrazas, owner and booking agent for Bowies,” he said. “This could be my best chance to become the legendary guitarist I so desperately want to become.”

Landry said he hopes this show represents the best of Oklahoma rock and roll. For this he got the help of his colleague Okies, Eric Muskrat from Index Paradox as bass and Robert “Tippy” Allen on drums. It’s important enough that they get out of Oklahoma for the show.

“I’m still out here every day supporting my home state,” he said. “I owe that to all the people at home who stand up for me, so I got some of the best two musicians I know from Oklahoma to do this show with me.”

Landry said he wears the Oklahoma Musician’s Badge as a high title and honor. As he pursues this dream, he wants everyone at home to see him as their rock and roll champion.

“I want Oklahoma to know that I am striving for her,” he said.

You can follow Landry’s journey through Facebook, Instagram, and other social media platforms.

If you can’t see the Nashville show, here is a live recording of the song “Move On” from February: https://youtu.be/pqLFDpji45k.

In our second story, a musician who leaves the nest has found his flock among the heaviest of the heavy.

for Mychal SotoWhen he left Lawton a few years ago to make a fresh start in Oklahoma City, he entered a realm as one of the leading talents of the Oklahoma slam metal scene.

What is “slam” you ask? It’s a sub-genre of brutal Death Metal that, instead of focusing on speed, builds on the animal background of slow / medium-paced breakdowns, wild vocals and intense fanaticism.

First transformation Deviating construct, Soto has built a solid foothold in the slam scene. In doing so, he developed his own Slam school studio as a contact point for a lively and pulsating breeding ground for new music.

Soto also has another outfit called. compiled Strangled which has seriously swelled with a national following in the past two years. The band recently quit on the threshold of crossing into larger seas. The pandemic slowed a growing live reputation until its last final show a few weeks ago in Chicago, Illinois. The video of the event shows a fully occupied house devoted to every muffled chord and demon-yelling voice.

Check out this first and only live performance by Strangled, “Violence is the Key” on this final show. An exemplary example of the finest slam: https://youtu.be/zeikflU9Wjw.

Soto said it was a time to know the moment is over.

“Strangled had decided it was time to quit the band as we saw us break new ground,” he said. “Together we decided that our show, which we had previously booked in Chicago, would be our last show. As much as we loved Strangled, it was about time. “

However, one end is the beginning of the other. Soto said drummer Joe Pelletier and bassist Austin Hirom teamed up with original OMEN OKC guitarist Jason Frosty Parrish and Giveaways Damonteal Harris for vocals to create something new.

“It was like putting all the right ingredients in one saucepan,” he said. “What came out of it is PeelingFlesh. This band is literally all of our ideas of what a heavy slam band would sound like to us in 2021. “

Videos of new songs that are currently being worked out provide delicious evidence that Soto and Co. are into something special. He said it was both fulfilling and rewarding for them to get involved without already releasing their first EP. It is enough just to take in what it seems.

“We asked Kirill from TRAUMATOMY to do a guest spot for a song,” he said. “His guitarist and label owner Constantine Chevardin asked me if we would be interested in signing because he had heard the demo we had his singer do. He loved it, we loved the idea, and that’s how it happened. We are now under contract with Vile Tapes Records and we are very excited to be working with him. “

The band will debut at Mass Movement Community Arts on Sunday evening in Tulsa. PeelingFlesh will join Caustic, 200 Stabwounds, and SANGUISUGABOGG to provide a slamtastic introduction.

By the way, the PeelingFlesh EP should be released in August.

Just so we don’t forget, Aberrant Construct is still alive and well. Soto said the band will soon release a split EP with The Green Leaves.

“We got together and wrote two songs the way we love: hard as hell,” he said. “We’re about to meet to start writing our full length in a month.”

Soto also offered the final mastering for the new album of Lawton’s Allusion “III”. Produced and mixed by Brandon Cramer at 1121 Recordings in Lawton, the album is a sonic masterpiece of independent music. Soto also offers its services throughout the state’s slam community.

But that takes a back seat for a while, Soto said. It’s about getting back into the format he loves most: the live stage. However, he promised that he is just about to work on “some amazing projects” that will come to light.

Additionally, Soto and his love of his life, Emily, traveled to Hawaii earlier this year to tie the knot. He said that in 2021, from music to marriage, he will breathe new life into his lungs.

“This year the quarantine will definitely make up for it,” he said.

Soundemonium Musaic Lawton Music Archive Homepage: Scott Rains – https://www.youtube.com/channel/UCPw__GedGPOUD-wROFcuZ8w.

Source link


Leave A Reply